![frameio to box frameio to box](https://i.pinimg.com/736x/6b/e3/34/6be334f537a03cdb5ca81e188054ca49--unique-baby-girl-names-name-frame.jpg)
That allows them to be moved on WiFi, or an LTE or 5G wireless connection, from on-set to on the cloud and from there to any Internet-connected device in near real time, so editing and other work can begin nearly immediately.
Frameio to box 1080p#
Those proxy files are less data-intensive versions of the original video, transcoded into H.264 format at 1080P resolution with data for the source file and time code. You don’t need to wait to ship (hard drives of recorded audio and video files). What we’re doing is a proxy file, and then we transmit it to a post(-production) house, lab or editor. From a workflow perspective, we’ve been trained that it goes in a linear progression. “Frame was in the middle and the back of the production process and we're just moving our way forward,” said Michael Cioni, Frame’s Senior VP of Innovation.”That's essentially what we think people want. Frame’s Camera to Cloud promises to further push the creative process to the front. Pre-visualization tools have pushed more of that work to the front end, giving directors and producers more clarity and certainty about how things will look far earlier in the process. After far fewer months of actually on-set filming, resulting video and audio files are shipped off to “black boxes” of expensive effects creation, mixing, editing, color grading and other work. Filmmaking over the past 30 to 40 years, especially for big visual-effects-heavy films, typically has required many months of post-production.
Frameio to box tv#
Wells said, “The best feedback we got from (the Songbird filmmakers) is they want to use it on their next films.”Ĭamera to Cloud represents yet another piece of technology that front-loads the lengthy, often complex business of Hollywood film and TV production. “It became one of the handful of great tools that made this (film) possible,” Mason said.